The scene is set with the wife of a Tory MP organising a dinner party for the benefit of her husband's career in somewhere evoking Notting Hill. Every guest is chosen to suggest that the MP is a Renaissance man. We are reminded of Alan Hollinghurst's The Line of Beauty, as though all wealthy Tories inevitably have grand gatherings with deep undercurrents of class, ambition and financial chicanery. As she goes through the guest list, we immediately know that they are all going to be linked in some way. The guests are mostly wealthy men and their wives, owners of hedge funds and banks and so on.
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